“As I became aware of the mounting global water crisis, I realized that it represented a clash of cultures – between a culture that values water as a shared sacred source of all life and a corporate culture that regards water as a commodity to be bought and sold.”

Quote from Shalini Kantayya, director of A Drop of Life – a futuristic sci-fi flick about the mounting water crisis winning Best Short Film at Palm Beach International as well as the Audience Choice Award at the IUOW Film competition. Will check it out some time (two years late anyway).

“Who controls water controls life”

This past week the non-profit film HOME was released in every format, including in movie theaters, on television, DVD/Blu-ray Disc and the internet, on the same day in over 50 countries in an effort to spread its message to the widest audience possible.

“We are living in exceptional times. Scientists tell us that we have 10 years to change the way we live, avert the depletion of natural resources and the catastrophic evolution of the Earth’s climate”, Yann Arthus-Bertrand, director and photographer of the film, said.

“The stakes are high for us and our children. Everyone should take part in the effort, and HOME has been conceived to take a message of mobilization out to every human being.”

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Yesterday the new climate change movie “The Age of Stupid” had premiere in the UK. The movie stars Pete Postlethwaite as an archivist in the devastated world of the future, asking the question: “Why didn’t we stop climate change when we still had the chance?” He looks back on footage of real people around the world in the years leading up to 2015 before runaway climate change took place.

The movie has already received positive reviews in the press and celebrities, politicians and environmentalists have all praised it. The Guardian has said the movie is “fascinating”. And that “the message, never stated but constantly emerging, is that we all have our self-justifying myths. These myths prevent us from engaging with climate change.” The New Statesman says the movie is “anything but a good-guys-versus-bad-guys polemic. It is angry but nuanced, despairing but strangely motivating.”

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